Stage & Screen

LGBTQI+ theatre and cinema features queer plays and queer films on both stage and screen. They have played a significant role in the representation and visibility of the queer community. These art forms have provided a platform for us to share our stories, experiences, and struggles. They ultimately contribute to the broader movement for LGBTQ rights and acceptance.

Queer Theatre

In the realm of queer theatre, queer-themed plays have been instrumental in challenging societal norms and promoting understanding and empathy.

Modern LGBTQI+ theatre began to emerge following the struggles of the gay liberation movement. Mart Crowley’s play Boys in the Band, a gay-themed play by Mart Crowley, was staged off-Broadway in 1968. One of the first musicals to portray a gay relationship was ‘Boy Meets Boy’, first staged off-Broadway in 1975. The musical-comedy was set in 1936 in a world that normalised homosexual relationships as if they were heterosexual.

The 1970s also saw the creation of groundbreaking queer production companies in the UK, such as Gay Sweatshop, founded in 1975. 1979 Royal Court Theatre in Sloane Square, London, staged Bent by Martin Sherman. The production later transferred to the West End. Playwrights like Mart Crowley, Harvey Fierstein, and Tony Kushner were able to bring LGBTQ stories to the forefront. They addressed issues such as coming out, discrimination, and the AIDS crisis.

These plays not only provided a voice for LGBTQ individuals but also educated and enlightened audiences about the struggles faced by our community.

Queer Cinema

Similarly, queer cinema has played a crucial role in representing diverse sexual orientations and gender identities on the big screen. The early days of queer cinema were marked by underground and independent films that explored queer themes due to the lack of mainstream acceptance.

However, with the rise of the New Queer Cinema movement in the 1990s (first coined by the academic B. Ruby Rich in Sight & Sound magazine in 1992), LGBTQI+ films gained more visibility and recognition.

Filmmakers like Todd Haynes, Gus Van Sant, and Kimberly Peirce created groundbreaking works that challenged heteronormative narratives and offered authentic portrayals of LGBTQI+ characters.

These films not only resonated with queer audiences but also helped to humanise and normalise queer experiences for wider audiences.

The impact of queer theatre and cinema extends beyond mere representation. These art forms have been instrumental in fostering a sense of community and empowerment for LGBTQI+ individuals. Creating and consuming LGBTQ-themed works provides a space for us to see ourselves reflected on stage or screen, validating our queer identities and experiences.

Moreover, queer theatre and cinema have also catalysed social change, challenging discriminatory laws and policies and promoting acceptance and equality.

Queer theatre and cinema still face challenges.

However, it is essential to acknowledge that LGBTQ theatre and cinema still face challenges and barriers. Despite progress, our queer stories are still underrepresented in mainstream media. Queer artists often struggle to secure funding and distribution for their projects. Trans artists have only recently been visible in theatre and cinema, and such appearances are still minimal.

Additionally, the portrayal of LGBTQI+ characters and narratives can sometimes be stereotypical or tokenistic, reinforcing harmful tropes and limiting the diversity of queer experiences.

In conclusion, queer theatre and cinema have played a vital role in the fight for LGBTQI+ rights and acceptance. These art forms have allowed us to share our stories, challenge societal norms, and foster community. While progress has been made, there is still work to ensure that our LGBTQI+ voices are heard and represented authentically in theatre and cinema.

The role of QX Magazine

QX magazine has been amplifying queer voices for over 25 years. We have been at the vanguard of trans visibility. We are delighted to be part of the growing movement that seeks to ensure that queer stories from all corners of our community are heard on the stage and screen and shared with the broader community.

You can visit the pages below to see some of the latest queer plays and films that we have highlighted.

Tumulus at Soho Theatre review – ‘a meta-theatrical chemsex thriller’

★★★ by Ifan Llewelyn The culture surrounding the use of chems to enhance sexual experiences within the gay community, popularly known as Chemsex, has become a...

QX Meets… Layton Williams

The West End star talks Billy, Jamie and that time Olivia Colman taught him to knit It’s a sunny Friday afternoon in the West End...

REVIEW: A Simple Space at Underbelly Festival

★★★★★ by Ifan Llewelyn The art of acrobatics hasn’t changed all that much over the past few centuries, so how does one keep it fresh and...

Sweet Charity at Donmar Warehouse review – ‘Anne-Marie Duff glitters from the clutter of...

★★★★ by Ifan Llewelyn A musical revival can sometimes feel like dragging gran out at Christmas. She's been around a few times already, but by now...

REVIEW: Bel Canto

★★★ In an ambiguous, revolution ravaged South American nation, a world famous American opera singer (Julianne Moore), is performing at a glittering private function for...

Among Angels at The Courtyard Theatre – ‘the Chemsex play that gazes heavenwards’

★★★by Ifan Llewelyn Through a rather unassuming doorway near Old Street station sits The Courtyard Theatre. You would be forgiven for just walk right past...

Girl review – An unflinching look at a cis conception of the trans experience

★★★★ by Ifan Llewelyn The story of Belgian transgender ballet dancer Nora Monsecour is one not familiar to most of us, despite making waves on...

Trans Actors for Trans Roles? The ongoing debate.

We talk to trans actor Elijah W Harris and trans non-binary actor Lucy Jane Parkinson about why playing trans roles is important.  It seems that every...

After Edward review – ‘a phantasmagoria of queer influences that ultimately fumbles’

★★★ by Ifan Llewelyn ‘Edward II’ falls flat on his face from the heavens on to centre stage. Just as he’s trying to regain his...

Romance, Romance review – ‘a fanciful romp that entertains without asking any big questions’

★★★★by Ifan Llewelyn It’s been over thirty years since Romance/Romance first hit the off-off-Broadway stage of the Actor’s Outlet Theatre, and though not quite...

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