Stage & Screen

LGBTQI+ theatre and cinema features queer plays and queer films on both stage and screen. They have played a significant role in the representation and visibility of the queer community. These art forms have provided a platform for us to share our stories, experiences, and struggles. They ultimately contribute to the broader movement for LGBTQ rights and acceptance.

Queer Theatre

In the realm of queer theatre, queer-themed plays have been instrumental in challenging societal norms and promoting understanding and empathy.

Modern LGBTQI+ theatre began to emerge following the struggles of the gay liberation movement. Mart Crowley’s play Boys in the Band, a gay-themed play by Mart Crowley, was staged off-Broadway in 1968. One of the first musicals to portray a gay relationship was ‘Boy Meets Boy’, first staged off-Broadway in 1975. The musical-comedy was set in 1936 in a world that normalised homosexual relationships as if they were heterosexual.

The 1970s also saw the creation of groundbreaking queer production companies in the UK, such as Gay Sweatshop, founded in 1975. 1979 Royal Court Theatre in Sloane Square, London, staged Bent by Martin Sherman. The production later transferred to the West End. Playwrights like Mart Crowley, Harvey Fierstein, and Tony Kushner were able to bring LGBTQ stories to the forefront. They addressed issues such as coming out, discrimination, and the AIDS crisis.

These plays not only provided a voice for LGBTQ individuals but also educated and enlightened audiences about the struggles faced by our community.

Queer Cinema

Similarly, queer cinema has played a crucial role in representing diverse sexual orientations and gender identities on the big screen. The early days of queer cinema were marked by underground and independent films that explored queer themes due to the lack of mainstream acceptance.

However, with the rise of the New Queer Cinema movement in the 1990s (first coined by the academic B. Ruby Rich in Sight & Sound magazine in 1992), LGBTQI+ films gained more visibility and recognition.

Filmmakers like Todd Haynes, Gus Van Sant, and Kimberly Peirce created groundbreaking works that challenged heteronormative narratives and offered authentic portrayals of LGBTQI+ characters.

These films not only resonated with queer audiences but also helped to humanise and normalise queer experiences for wider audiences.

The impact of queer theatre and cinema extends beyond mere representation. These art forms have been instrumental in fostering a sense of community and empowerment for LGBTQI+ individuals. Creating and consuming LGBTQ-themed works provides a space for us to see ourselves reflected on stage or screen, validating our queer identities and experiences.

Moreover, queer theatre and cinema have also catalysed social change, challenging discriminatory laws and policies and promoting acceptance and equality.

Queer theatre and cinema still face challenges.

However, it is essential to acknowledge that LGBTQ theatre and cinema still face challenges and barriers. Despite progress, our queer stories are still underrepresented in mainstream media. Queer artists often struggle to secure funding and distribution for their projects. Trans artists have only recently been visible in theatre and cinema, and such appearances are still minimal.

Additionally, the portrayal of LGBTQI+ characters and narratives can sometimes be stereotypical or tokenistic, reinforcing harmful tropes and limiting the diversity of queer experiences.

In conclusion, queer theatre and cinema have played a vital role in the fight for LGBTQI+ rights and acceptance. These art forms have allowed us to share our stories, challenge societal norms, and foster community. While progress has been made, there is still work to ensure that our LGBTQI+ voices are heard and represented authentically in theatre and cinema.

The role of QX Magazine

QX magazine has been amplifying queer voices for over 25 years. We have been at the vanguard of trans visibility. We are delighted to be part of the growing movement that seeks to ensure that queer stories from all corners of our community are heard on the stage and screen and shared with the broader community.

You can visit the pages below to see some of the latest queer plays and films that we have highlighted.

1990s gay theatre

DRAMA QUEENS: PART 13: 1990s Gay Theatre

ACTING UP Throughout the 1990s, theatre, hit hard by the AIDS epidemic, fought back. Broadway Cares, founded in 1988, raised hundreds of millions of dollars...

TOTALLY F***ED UP (18)

Greg Araki’s acclaimed 1993 hit gets digitally re-mastered for a new DVD release, and it’s well worth revisiting as after almost 20 years it’s...
1980´s gay theatre

DRAMA QUEENS: PART 12: 1980´s Gay Theatre

THIS IS WHO WE ARE! The 1980s began with another theatrical sensation. Moral reformer Mary Whitehouse attempted to prosecute National Theatre director Michael Bogdanov for...

THE SILVER SCREEN: COLOR ME LAVENDER (E)

This fabulous collection of clips traces constant references to homosexuality through the golden age of Hollywood. And it’s great fun to watch actors and...
1970s Gay Theatre

DRAMA QUEENS: PART 11: 1970s Gay Theatre

  MADLY GAY! Following the success of The Boys in the Band (see Part 10, last week) managements scrabbled to find more gay properties. Commercial theatre...

FINDING ME: TRUTH (15)

This multi-strand romance is set in the black subculture of greater New York City, where sexy young Faybien (RayMartell Moore) is trying to get...
1960s gay theatre

DRAMA QUEENS: PART 10: 1960s Gay Theatre

    READY OR NOT, HERE WE COME! Although the 1960s was the era of Joe Orton and The Boys in the Band, homophobia thrived in theatreland...
1950s gay theatre

DRAMA QUEENS: PART 9: 1950s GAY THEATRE

LAST OF THE SENSITIVE YOUTHS For a time during the period of transition that followed World War II, troubled young men who might or might...

MEET MONICA VELOUR (15)

Kim Cattrall is clearly trying to put Sex And The City’s Samantha behind her with this film, in which she plays a washed-up pornstar...

HENRY OF NAVARRE (15)

The sweeping nature of this German period drama is slightly undercut by apparent budget limitations (most noticeable in the sets), but the story has...

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