Theatre at The Divine: Anthony and Cleopatra – A Dream Passion
The Divine 33 Stoke Newington Road, London, United KingdomRobert Chevara directs a dream like re-imagining of the great love story, Antony and Cleopatra using an all-male cast.
Robert Chevara directs a dream like re-imagining of the great love story, Antony and Cleopatra using an all-male cast.
A story of growing up, growing apart and falling short, this “intimate and expansive” new play is “theatrical magic” (BroadwayWorld). It “cements Waleed Akhtar’s standing as a fearless writer with oodles of talent and bravura” (The Guardian).
Robert Chevara directs a dream like re-imagining of the great love story, Antony and Cleopatra using an all-male cast.
From the Olivier-award winning playwright Mike Bartlett, Cock is an examination of how we define ourselves through the fluidity of sex and love in a script that shifts back and forth from laugh-out-loud funny to heart wrenchingly poignant.
A story of growing up, growing apart and falling short, this “intimate and expansive” new play is “theatrical magic” (BroadwayWorld). It “cements Waleed Akhtar’s standing as a fearless writer with oodles of talent and bravura” (The Guardian).
A story of growing up, growing apart and falling short, this “intimate and expansive” new play is “theatrical magic” (BroadwayWorld). It “cements Waleed Akhtar’s standing as a fearless writer with oodles of talent and bravura” (The Guardian).
Robert Chevara directs a dream like re-imagining of the great love story, Antony and Cleopatra using an all-male cast.
From the Olivier-award winning playwright Mike Bartlett, Cock is an examination of how we define ourselves through the fluidity of sex and love in a script that shifts back and forth from laugh-out-loud funny to heart wrenchingly poignant.
A story of growing up, growing apart and falling short, this “intimate and expansive” new play is “theatrical magic” (BroadwayWorld). It “cements Waleed Akhtar’s standing as a fearless writer with oodles of talent and bravura” (The Guardian).
A story of growing up, growing apart and falling short, this “intimate and expansive” new play is “theatrical magic” (BroadwayWorld). It “cements Waleed Akhtar’s standing as a fearless writer with oodles of talent and bravura” (The Guardian).
Robert Chevara directs a dream like re-imagining of the great love story, Antony and Cleopatra using an all-male cast.
From the Olivier-award winning playwright Mike Bartlett, Cock is an examination of how we define ourselves through the fluidity of sex and love in a script that shifts back and forth from laugh-out-loud funny to heart wrenchingly poignant.
Robert Chevara directs a dream like re-imagining of the great love story, Antony and Cleopatra using an all-male cast.
From the Olivier-award winning playwright Mike Bartlett, Cock is an examination of how we define ourselves through the fluidity of sex and love in a script that shifts back and forth from laugh-out-loud funny to heart wrenchingly poignant.
A story of growing up, growing apart and falling short, this “intimate and expansive” new play is “theatrical magic” (BroadwayWorld). It “cements Waleed Akhtar’s standing as a fearless writer with oodles of talent and bravura” (The Guardian).
A story of growing up, growing apart and falling short, this “intimate and expansive” new play is “theatrical magic” (BroadwayWorld). It “cements Waleed Akhtar’s standing as a fearless writer with oodles of talent and bravura” (The Guardian).
From the Olivier-award winning playwright Mike Bartlett, Cock is an examination of how we define ourselves through the fluidity of sex and love in a script that shifts back and forth from laugh-out-loud funny to heart wrenchingly poignant.
From the Olivier-award winning playwright Mike Bartlett, Cock is an examination of how we define ourselves through the fluidity of sex and love in a script that shifts back and forth from laugh-out-loud funny to heart wrenchingly poignant.
A story of growing up, growing apart and falling short, this “intimate and expansive” new play is “theatrical magic” (BroadwayWorld). It “cements Waleed Akhtar’s standing as a fearless writer with oodles of talent and bravura” (The Guardian).
Queer Theatre’s weekly acting classes for queer people are held every Monday. Led by award-winning theatre director Andrew Keates, the classes welcome LGBTQ+ performers of all levels. QX […]
A story of growing up, growing apart and falling short, this “intimate and expansive” new play is “theatrical magic” (BroadwayWorld). It “cements Waleed Akhtar’s standing as a fearless writer with oodles of talent and bravura” (The Guardian).
A story of growing up, growing apart and falling short, this “intimate and expansive” new play is “theatrical magic” (BroadwayWorld). It “cements Waleed Akhtar’s standing as a fearless writer with oodles of talent and bravura” (The Guardian).
A story of growing up, growing apart and falling short, this “intimate and expansive” new play is “theatrical magic” (BroadwayWorld). It “cements Waleed Akhtar’s standing as a fearless writer with oodles of talent and bravura” (The Guardian).
A story of growing up, growing apart and falling short, this “intimate and expansive” new play is “theatrical magic” (BroadwayWorld). It “cements Waleed Akhtar’s standing as a fearless writer with oodles of talent and bravura” (The Guardian).
A story of growing up, growing apart and falling short, this “intimate and expansive” new play is “theatrical magic” (BroadwayWorld). It “cements Waleed Akhtar’s standing as a fearless writer with oodles of talent and bravura” (The Guardian).
A queer retelling of the life and love of one of history’s most scandalous kings, King Ludwig II of Bavaria.
A story of growing up, growing apart and falling short, this “intimate and expansive” new play is “theatrical magic” (BroadwayWorld). It “cements Waleed Akhtar’s standing as a fearless writer with oodles of talent and bravura” (The Guardian).
A queer retelling of the life and love of one of history’s most scandalous kings, King Ludwig II of Bavaria.
A story of growing up, growing apart and falling short, this “intimate and expansive” new play is “theatrical magic” (BroadwayWorld). It “cements Waleed Akhtar’s standing as a fearless writer with oodles of talent and bravura” (The Guardian).
A queer retelling of the life and love of one of history’s most scandalous kings, King Ludwig II of Bavaria.