Stage & Screen

LGBTQI+ theatre and cinema features queer plays and queer films on both stage and screen. They have played a significant role in the representation and visibility of the queer community. These art forms have provided a platform for us to share our stories, experiences, and struggles. They ultimately contribute to the broader movement for LGBTQ rights and acceptance.

Queer Theatre

In the realm of queer theatre, queer-themed plays have been instrumental in challenging societal norms and promoting understanding and empathy.

Modern LGBTQI+ theatre began to emerge following the struggles of the gay liberation movement. Mart Crowley’s play Boys in the Band, a gay-themed play by Mart Crowley, was staged off-Broadway in 1968. One of the first musicals to portray a gay relationship was ‘Boy Meets Boy’, first staged off-Broadway in 1975. The musical-comedy was set in 1936 in a world that normalised homosexual relationships as if they were heterosexual.

The 1970s also saw the creation of groundbreaking queer production companies in the UK, such as Gay Sweatshop, founded in 1975. 1979 Royal Court Theatre in Sloane Square, London, staged Bent by Martin Sherman. The production later transferred to the West End. Playwrights like Mart Crowley, Harvey Fierstein, and Tony Kushner were able to bring LGBTQ stories to the forefront. They addressed issues such as coming out, discrimination, and the AIDS crisis.

These plays not only provided a voice for LGBTQ individuals but also educated and enlightened audiences about the struggles faced by our community.

Queer Cinema

Similarly, queer cinema has played a crucial role in representing diverse sexual orientations and gender identities on the big screen. The early days of queer cinema were marked by underground and independent films that explored queer themes due to the lack of mainstream acceptance.

However, with the rise of the New Queer Cinema movement in the 1990s (first coined by the academic B. Ruby Rich in Sight & Sound magazine in 1992), LGBTQI+ films gained more visibility and recognition.

Filmmakers like Todd Haynes, Gus Van Sant, and Kimberly Peirce created groundbreaking works that challenged heteronormative narratives and offered authentic portrayals of LGBTQI+ characters.

These films not only resonated with queer audiences but also helped to humanise and normalise queer experiences for wider audiences.

The impact of queer theatre and cinema extends beyond mere representation. These art forms have been instrumental in fostering a sense of community and empowerment for LGBTQI+ individuals. Creating and consuming LGBTQ-themed works provides a space for us to see ourselves reflected on stage or screen, validating our queer identities and experiences.

Moreover, queer theatre and cinema have also catalysed social change, challenging discriminatory laws and policies and promoting acceptance and equality.

Queer theatre and cinema still face challenges.

However, it is essential to acknowledge that LGBTQ theatre and cinema still face challenges and barriers. Despite progress, our queer stories are still underrepresented in mainstream media. Queer artists often struggle to secure funding and distribution for their projects. Trans artists have only recently been visible in theatre and cinema, and such appearances are still minimal.

Additionally, the portrayal of LGBTQI+ characters and narratives can sometimes be stereotypical or tokenistic, reinforcing harmful tropes and limiting the diversity of queer experiences.

In conclusion, queer theatre and cinema have played a vital role in the fight for LGBTQI+ rights and acceptance. These art forms have allowed us to share our stories, challenge societal norms, and foster community. While progress has been made, there is still work to ensure that our LGBTQI+ voices are heard and represented authentically in theatre and cinema.

The role of QX Magazine

QX magazine has been amplifying queer voices for over 25 years. We have been at the vanguard of trans visibility. We are delighted to be part of the growing movement that seeks to ensure that queer stories from all corners of our community are heard on the stage and screen and shared with the broader community.

You can visit the pages below to see some of the latest queer plays and films that we have highlighted.

REVIEW: It’s Only The End Of The World

by Mark Hamill You may know Xavier Dolan as the director of Adele’s record breaking Hello video (you’ll be glad to know, a flip phone...

Phoenix Rising

Rise like a Phoenix is my new comedy play about five guys having a house party. There are friendships, past relationships, new ones, but...
queer bar in East London.

Brixton Fairies: Introduction

QX Assistant Editor Patrick Cash was invited to introduce the 'Brixton Fairies: Made Possible by Squatting' film, made by Tara Brag.    By Patrick Cash (Twitter.com/@paddycash) When...
Gareth Watkins in The Gentleman Of Shalott at The Hope Theatre in Islington is a queer play.

QX interviews Gareth Watkins, writer and performer of The Gentleman Of Shalott at The...

Gareth Watkins is performing his queer one-man show, The Gentleman Of Shalott, at a small pub theatre, The Hope in Islington, from February 6th...

A Strange Loop transfers to London’s Barbican Theatre, 17 June – 9 September.

A Strange Loop transfers from Broadway to London's Barbican Theatre for a one-time-only 12-week limited season from 17 June, with a producing team including the...
Gay London theatre

RŪRANGI On-line Movie Screening + Q&A, 22 Feb.

RŪRANGI On-line Screening, 7pm. Caz (Elz Carrard) returns for the first time since he transitioned to the home he fled a decade earlier - the...

LES INVISIBLES (THE INVISIBLE ONES)

Last June, 88-year-old Gad Beck died. He was the only known remaining gay Jewish survivor of the Holocaust. Two months later, Sweden announced it...
Jock Night with David Paisley interview

QX interviews David Paisley, starring in ‘Jock Night’ at Seven Dials Playhouse, 9 Oct...

Holby City’s David Paisley returns to the stage as Ben in Adam Zane’s Jock Night at Seven Dials Playhouse from 9 October to 4...

Theatre: Positive

Almost everything about this play is rather wonderful, and gladdening in its ethics. A play tackling head-on the polymorphous issues of living with HIV...

REVIEW: Mario

You’d be forgiven for thinking a gay football film would just be a mish-mash of clumsy clichés – lingering homoerotic locker room scenes, introspective...

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