Stage & Screen

LGBTQI+ theatre and cinema features queer plays and queer films on both stage and screen. They have played a significant role in the representation and visibility of the queer community. These art forms have provided a platform for us to share our stories, experiences, and struggles. They ultimately contribute to the broader movement for LGBTQ rights and acceptance.

Queer Theatre

In the realm of queer theatre, queer-themed plays have been instrumental in challenging societal norms and promoting understanding and empathy.

Modern LGBTQI+ theatre began to emerge following the struggles of the gay liberation movement. Mart Crowley’s play Boys in the Band, a gay-themed play by Mart Crowley, was staged off-Broadway in 1968. One of the first musicals to portray a gay relationship was ‘Boy Meets Boy’, first staged off-Broadway in 1975. The musical-comedy was set in 1936 in a world that normalised homosexual relationships as if they were heterosexual.

The 1970s also saw the creation of groundbreaking queer production companies in the UK, such as Gay Sweatshop, founded in 1975. 1979 Royal Court Theatre in Sloane Square, London, staged Bent by Martin Sherman. The production later transferred to the West End. Playwrights like Mart Crowley, Harvey Fierstein, and Tony Kushner were able to bring LGBTQ stories to the forefront. They addressed issues such as coming out, discrimination, and the AIDS crisis.

These plays not only provided a voice for LGBTQ individuals but also educated and enlightened audiences about the struggles faced by our community.

Queer Cinema

Similarly, queer cinema has played a crucial role in representing diverse sexual orientations and gender identities on the big screen. The early days of queer cinema were marked by underground and independent films that explored queer themes due to the lack of mainstream acceptance.

However, with the rise of the New Queer Cinema movement in the 1990s (first coined by the academic B. Ruby Rich in Sight & Sound magazine in 1992), LGBTQI+ films gained more visibility and recognition.

Filmmakers like Todd Haynes, Gus Van Sant, and Kimberly Peirce created groundbreaking works that challenged heteronormative narratives and offered authentic portrayals of LGBTQI+ characters.

These films not only resonated with queer audiences but also helped to humanise and normalise queer experiences for wider audiences.

The impact of queer theatre and cinema extends beyond mere representation. These art forms have been instrumental in fostering a sense of community and empowerment for LGBTQI+ individuals. Creating and consuming LGBTQ-themed works provides a space for us to see ourselves reflected on stage or screen, validating our queer identities and experiences.

Moreover, queer theatre and cinema have also catalysed social change, challenging discriminatory laws and policies and promoting acceptance and equality.

Queer theatre and cinema still face challenges.

However, it is essential to acknowledge that LGBTQ theatre and cinema still face challenges and barriers. Despite progress, our queer stories are still underrepresented in mainstream media. Queer artists often struggle to secure funding and distribution for their projects. Trans artists have only recently been visible in theatre and cinema, and such appearances are still minimal.

Additionally, the portrayal of LGBTQI+ characters and narratives can sometimes be stereotypical or tokenistic, reinforcing harmful tropes and limiting the diversity of queer experiences.

In conclusion, queer theatre and cinema have played a vital role in the fight for LGBTQI+ rights and acceptance. These art forms have allowed us to share our stories, challenge societal norms, and foster community. While progress has been made, there is still work to ensure that our LGBTQI+ voices are heard and represented authentically in theatre and cinema.

The role of QX Magazine

QX magazine has been amplifying queer voices for over 25 years. We have been at the vanguard of trans visibility. We are delighted to be part of the growing movement that seeks to ensure that queer stories from all corners of our community are heard on the stage and screen and shared with the broader community.

You can visit the pages below to see some of the latest queer plays and films that we have highlighted.

I Am Michael

I am Michael – James Franco’s latest gay drama

I am Michael, James Franco’s latest gay drama surpasses expectations as a touching look at identity. Guys, prepare to pick your jaws up off the...

Decadent Dance Divas

The Lady Sasha discusses ballet’s inherent homoeroticism Is ballet homosexual? How could it be? Always, it’s been an OTT, sexually perverse marriage of lust and athleticism,...
Lucy review

There’s a beautiful new film about the transgender journey

"Imagine being born in the wrong body..." DJ, performer, and all-round glamorous creature of the night Lucy Fizz is the subject of a gorgeous new film...
BFI Flare

BFI Flare

Our preview of London’s famous queer film festival, BFI Flare. BFI Flare is the annual LGBT film festival that takes the city by storm every...

Theatre Review: The HIV Monologues

Pat Cash's latest play is stripped back theatre at its finest. by Jason Reid Being an HIV positive man who was treated for AIDS defining illnesses...

Lady Bunny in Trans-Jester!

Lady Bunny is one of those few people where the word “legend” is actually pertinent. She was at the forefront of the in-your-face and...

REVIEW: It’s Only The End Of The World

by Mark Hamill You may know Xavier Dolan as the director of Adele’s record breaking Hello video (you’ll be glad to know, a flip phone...

Holding The Man

Holding The Man is an intelligent and moving stage production of Tim Conigrave’s seminal memoir.   There are occasions when you find yourself on a famous...

The Love Witch is a beguilingly ridiculous feast for the eyes

This flagrantly fragrant new indie/horror satire isn’t just daring, it’s got a bloody cheek   by Dylan Jones Let’s be honest, any movie called “The Love Witch”...

Go West, Young Man!

Do first impressions count? Oh, juicy Christ at Christmas, yes! Haven’t you lost count of locking red-hot eyes with strangers, and later, locking pumping...

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