Hadestown Review – ‘There is promise in this production that you don’t quite expect...

If you’re in on what’s what on the musical theatre scene then the word Hadestown has probably been buzzing around your peripherals for a...

Fantastic Beasts: The Crimes of Grindelwald Review – straight-washing and telenovella twists

** By Dylan B Jones Right from its rain-whipping, thestral-careening start, the most recent cinematic foray into the Potterverse is certainly one thing…confusing. In fact, as...
A Star Is Born

A Star Is Born…but like, is it actually good though?

Jack Cullen muses on Gaga’s already notorious smash hit cinema venture This past month, we put Netflix on pause and clobbered down the street to...

Preview: How To Catch A Krampus

Christmas just got creepy! Those deranged drag creatures from Sink The Pink are here with an evening of theatrical wonderment. This year they’re schooling the...

Review: Iris Prize Festival

We hotfooted it up to Cardiff for one of the biggest events on the LGBT cinema calendar It’s one of the biggest LGBT film festivals...

FILM REVIEW: Climax

Gaspar Noe’s latest work is a beguiling assault on the senses “Going nowhere fast, we’ve reached the climax/We’re together, now we’re undone”: the words of...

Maurice, Above the Stag – Review

After the popular success of Gindr the Opera, if this season at Above the Stag were to continue its momentum then their latest production...

Film Review – A Moment In The Reeds

By Ifan Llewelyn The relationship between father and gay son is one we’ve seen play out many a time in countless ways on stage and...

Travis Alabanza – The performance artist turning expectations of trans performers upside down

Words: Dylan B Jones Photos: Elise Rose Makeup: Umber Ghauri Styling: Mia Maxwell Direction: Vasilisa Forbes Travis Alabanza has made vivid waves on London’s arts and theatre scene over...

Free & Proud

The writer of new play free and proud talks cultural divides and the enduring important of LGBTQ theatre Free & Proud is the tale of...

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