Stage & Screen

LGBTQI+ theatre and cinema features queer plays and queer films on both stage and screen. They have played a significant role in the representation and visibility of the queer community. These art forms have provided a platform for us to share our stories, experiences, and struggles. They ultimately contribute to the broader movement for LGBTQ rights and acceptance.

Queer Theatre

In the realm of queer theatre, queer-themed plays have been instrumental in challenging societal norms and promoting understanding and empathy.

Modern LGBTQI+ theatre began to emerge following the struggles of the gay liberation movement. Mart Crowley’s play Boys in the Band, a gay-themed play by Mart Crowley, was staged off-Broadway in 1968. One of the first musicals to portray a gay relationship was ‘Boy Meets Boy’, first staged off-Broadway in 1975. The musical-comedy was set in 1936 in a world that normalised homosexual relationships as if they were heterosexual.

The 1970s also saw the creation of groundbreaking queer production companies in the UK, such as Gay Sweatshop, founded in 1975. 1979 Royal Court Theatre in Sloane Square, London, staged Bent by Martin Sherman. The production later transferred to the West End. Playwrights like Mart Crowley, Harvey Fierstein, and Tony Kushner were able to bring LGBTQ stories to the forefront. They addressed issues such as coming out, discrimination, and the AIDS crisis.

These plays not only provided a voice for LGBTQ individuals but also educated and enlightened audiences about the struggles faced by our community.

Queer Cinema

Similarly, queer cinema has played a crucial role in representing diverse sexual orientations and gender identities on the big screen. The early days of queer cinema were marked by underground and independent films that explored queer themes due to the lack of mainstream acceptance.

However, with the rise of the New Queer Cinema movement in the 1990s (first coined by the academic B. Ruby Rich in Sight & Sound magazine in 1992), LGBTQI+ films gained more visibility and recognition.

Filmmakers like Todd Haynes, Gus Van Sant, and Kimberly Peirce created groundbreaking works that challenged heteronormative narratives and offered authentic portrayals of LGBTQI+ characters.

These films not only resonated with queer audiences but also helped to humanise and normalise queer experiences for wider audiences.

The impact of queer theatre and cinema extends beyond mere representation. These art forms have been instrumental in fostering a sense of community and empowerment for LGBTQI+ individuals. Creating and consuming LGBTQ-themed works provides a space for us to see ourselves reflected on stage or screen, validating our queer identities and experiences.

Moreover, queer theatre and cinema have also catalysed social change, challenging discriminatory laws and policies and promoting acceptance and equality.

Queer theatre and cinema still face challenges.

However, it is essential to acknowledge that LGBTQ theatre and cinema still face challenges and barriers. Despite progress, our queer stories are still underrepresented in mainstream media. Queer artists often struggle to secure funding and distribution for their projects. Trans artists have only recently been visible in theatre and cinema, and such appearances are still minimal.

Additionally, the portrayal of LGBTQI+ characters and narratives can sometimes be stereotypical or tokenistic, reinforcing harmful tropes and limiting the diversity of queer experiences.

In conclusion, queer theatre and cinema have played a vital role in the fight for LGBTQI+ rights and acceptance. These art forms have allowed us to share our stories, challenge societal norms, and foster community. While progress has been made, there is still work to ensure that our LGBTQI+ voices are heard and represented authentically in theatre and cinema.

The role of QX Magazine

QX magazine has been amplifying queer voices for over 25 years. We have been at the vanguard of trans visibility. We are delighted to be part of the growing movement that seeks to ensure that queer stories from all corners of our community are heard on the stage and screen and shared with the broader community.

You can visit the pages below to see some of the latest queer plays and films that we have highlighted.

Emma Frankland

Emma Frankland is the trans artist literally smashing theatre to pieces

Emma Frankland is taking a sledgehammer to artistic convention – literally. For three weeks during the Ovalhouse’s final season before its demolition, Emma will...
Jayde Adams

The Ballad of Kylie Jenner’s Old Face – Jayde Adams on grief, drag and...

Fresh from her hit Edinburgh run and ahead of a special date in Bloomsbury, Fringe favourite Jayde Adams talks ditching the sparkle for a...
Rockbottom

Rockbottom at The Place review – ‘a well-meaning yet misguided chemsex solo show’

★★☆☆☆ by Ifan Llewelyn London gay theatre just can’t get enough of Chemsex. Ever since The Chemsex Monologues stook to the stage of The King’s...
The Shiny Shrimps review

The Shiny Shrimps review – ‘feel-good queer water polo comedy that dives in at...

Shiny Shrimps Rating: ★★★ Have you ever found yourself crying while listening to Bonnie Tyler’s “I Need a Hero”? It’s not really a situation you’d...
Judy Review

Judy review – ‘Zellweger delivers a glittering performance in otherwise clement biopic’

★★★ by Ifan Llewelyn The celebrity biopic has undergone quite the thematic makeover in the past two years. Gone are the gritty, unflinching films of...
World's End at the King's Head Theatre

World’s End at the King’s Head Theatre review – ‘culture, class and the war...

★★★ by Ifan Llewelyn The Kosovo War is a chapter in history that most of us have some faint recollection of watching on the news,...
Peaches

Peaches at the Royal Festival Hall review – ‘shake yer dix for the princess...

★★★★ by Ifan Llewelyn If you have yet to encounter Canadian electro-punk princess Peaches, then you're missing out. Most are familiar with her break-out hit...

After the Wedding review – ‘a distinctly watchable and emotive drama’

★★★ by Dylan Jones After The Wedding is Bart Freundlich’s remake of the 2006 Danish drama Efter brylluppet (same meaning). While the original was deft,...

E.M. Forster: His Longest Journey review – casting light on both his literature and...

★★★ by Ifan Llewelyn There has been a recent surge of interest in the work of E M Forster, especially here in the capital. Last...

Palmant/Pridd review – ‘a touching meditation on home-making’

★★★★ by Ifan Llewelyn On the dimly lit stage of the Eisteddfod Genedlaethol’s theatre sits dancer Osian Meilir. Sitting with his back to us looking...

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